ROBOS Y HURTOS.
Nuestra minuciosa lupa de investigadores se dedica a buscar y mostrar aquellos robos y hurtos artisticos en musica, fotos y otros. Cuidense artistas y sean creativos!
Reza para que Bjork no se de cuenta que te va ir a buscar....
Lo admitimos, odiamos a Bjork con toda nuestra alma, hasta hacemos el esfuerzo de cada dia empecinarnos en ningunearla pero no es imposible aunque los ultimos años afortunadamente anda media desaparecida de la musica y rogamos que siga por esa senda. Es horrible, no sabemos por que fue inflada su imagen en la decada del 90 al limite que la prensa llego a decir que brindo el show mas grande del siglo XX, hacerla actuar (mal obviamente) en una pelicula de Lars Von Trier (se acuerdan del genero de cine "Dogma") y hasta verla en una entrega de Oscars vestida de cisne. Los 2000 la conviertieron en una artista de vanguardia, que en lenguaje comun significo que perdio la gracia y que si aun llegara a venderle un disco a cada Islandes jamas podria llegar ni a disco de platino.
Pero ante todos somos investigadores y justos, tan justos que vamos a tener que salir en defensa de la islandesa. Si nosotros, los que la vivimos defenestrando en cada oportunidad que se pueda dar. La unica vez que fue noticia y la celebramos fue cuando Charly Garcia en estado de inimputabilidad cuasi pomelo le arrojo un vaso de whisky en el hotel Faena con suerte dispar que no llego a lastimarla, era obvio por el mal estado del entonces flaco Charly Garcia .
La primera foto corresponde al primer disco solita de Bjork cuyo nombre "Debut" (nombre original para un primer disco) y el primer disco de Britney llamado "Baby one more time". Ambas estan en posicion de rezo, la primera para ver si podia vendernos un disco y no pudo y la segunda para que no le pasara lo que le paso durante un momento de su vida.
Esperemos que Bjork no se enoje y actue de esta forma por que seria una lastima verla a Britney.....
Aunque despues de ver este video Britney en su epoca "Pomelo" reaccionaba de la siguiente manera seguramente podra defenderse de algun ataque furioso de Bjork.
Desde ya nos imaginamos que estos parecidos vienen de algun fotografo inescrupuloso que se aprovecho de una adolescente que sacaba su primer disco como lo era en ese momento Britney Spears.........bueno tratamos de seguir criticandola a Bjork. No la perdonarian a Britney despues de las siguientes fotos de ella y de Bjork.
Se acuerdan de un post llamado: "un circulo perfecto del robo" ? sino hagan click en el link y veanlo. En ese post aparece una copia identica a un video de A Perfect Circle hecho por una banda llamada Volador G y es el ejemplo de una burda copia.
El caso contrario es el siguiente video que vamos a publicar como nueva seccion llamada: "Videos imposibles de imitar". La que hace la apertura de esta seccion se llama Vivian Black.
Aqui el video: Going on my way
Video 2: Slaves of lust
Un breve "resume" de la artista (?). Comenzo su carrera iniciamente como actriz en dos grandes superproducciones de Enrique Carreras: "los reyes del sablazo" y "Los extraterrestes" recordada por el gran animatronic traido desde los EEUU comprado en un outlet de ET llamado "Monguito".
Paso seguido y tras probar las mieles del exito cinematografico incursiono en la musica en una banda llamada Mandragora. Cansada de tanto exito decide comenzar su carrera solista que en virtud a los videos que publicamos se convierte en una version con escote y tacos altos de King Diamond con una mezcla de Robert Quenedi por su pronunciacion que denota que se rateo varios años de las clases de ingles que le pagaban los padres y Juanete en relacion a sus gestos.
El primer video fue un "clasico" del Power 30, el programa de Much Music de Heavy Metal que pasaban muy buen material y a veces nos tenian que poner estos bodrios por que era mas facil que vengan a su estudio artistas de la talla de la mencionada artista que una megaestrella como Lemmy u Ozzy. A pesar de este comentario le guardamos buenos recuerdos a esa epoca en la que tenias la videocassetera lista para grabar un video o tener que esperar la repeticion a la madrugada calculando aproximadamente a que hora y minutos iban a pasar ese video.....asi era la vida antes de Youtube.
Se nota que ambos fueron grabados con un magro presupuesto. Se nota que es una camara con poco "gran angular" por eso tocan en un espacio tan pequeño y son tan petisos los musicos que la acompañan.....
Pero esto no fue lo unico que hizo. Aparecio en varios programas por los 90 e incluso en la primera decada de este siglo con Chiche Gelblung (quien merece nuestro repudio por bruto, ladron, vocero de la dictadura y torturas entre tantos) pero estos dos videos merecen ser destacados esencialmente en la parte en que conoce a una "multitud" de Satanistas que pululan por la ciudad.
She was part of the band called "Mandrágora" as vocalist, and she left it because she had a lot of differences of opinions with the musicians, becoming in this way a solo artist.Her demo CD, her album, her concerts, and her videos were only executed by guest musicians or professionals. All of Vivian's attempts to form her own band, (figuring as a solo performer, of course), failed, due to the “Latin macho” inside of each male musician. This made them think that they should not accept a woman as their leader.In Argentina, it is preferred that metal bands are led by men, but never by a woman. Vivian was an unprecedented case in the 90's. With her hard and firm character she had to impose herself as an artist and a leader. In this way, she opened, at last, a brand new road in metal music tradition; she did something that another woman never dared to do: become a leader, and a feminine solo performer in that genre, which was purely masculine until that moment. Using only her talent as her defensive weapon, without doubt she was an authentic vanguardist, putting herself amongst the top women, showing the Hispanic people they could add another brand to their record book of "pioneers": that brand was "Vivian Black". Vivian's proposal was, initially, a little difficult to accept. Merging her acting face, of course, always with the inclination to terror, mixed with music.The performance created on stage was as much theatrical as musical. It was like watching a film of the "Hammer Films" live, to the rhythm of metal. It was something unprecedented in the Buenos Aires scene, concerning that genre. Vivian's interpretive capacity, particularly in terms of frightening people, really has no limits. Her versatility to transform from a naive girl into an abomination from darkness is absolutely amazing, bearing in mind she is not a professional actress.In her first video, "Slaves of lust”, she embodies an ancient entity, which inhabits in a crypt of a cemetery. The evil spirit decides to leave his home to possess a body, which soul should be pure, free of sins, with the aim of corrupting it until total degradation, and so lead it to death, using lust as diabolical instrument for its purpose.Frightening plot for a music video clip, right? ... This was Vivian's debut as an actress, in which, according to her own script, she plays all the characters: the vocalist, the demon of lust, the naive student, and the young lady possessed.In those days, when this video clip was broadcasted in Buenos Aires, Marilyn MansonÂ’s "Sweet Dreams" video was all the rage, which made him famous internationally. At the same time, Vivian's video caused a great shock for her sinister, dark and full of evil performance. The clip of the controversial singer drew the attention of Cesar Fuentes Rodriguez (popular host of the Argentine show of metal "Power 30" and director of the rock magazine "Madhouse"), who suggested Vivian to do a remake of it. The direction and artistic production would be the responsibility of Cesar Fuentes. The singer did not hesitate to accept. The soundtrack was recorded again with a NEW lyric, alluding to the screenplay written by the well-known Cesar Fuentes. The argument changed, in fact, one of its characters; the innocent student into a voluptuous woman, who once possessed by the devil would enslave all men, until they kneel at her feet, as some sort of "bizarre mistress". The original end was a bit out of place in this story, but anyway, it continued to catch the attention of TV viewers, like its predecessor, during the successive emissions.To maintain the interest of her public, Vivian decided to do her third musical video entirety by herself, as its director, screenwriter, producer and singer; very simple, and easy to edit it.Based on the second song of the demo tape, back then "Going on my way", was a free adaptation of Goethe's novel, "Faust", giving the video a gothic-movie touch, inspired by the silent film of F. Murnau of 1926 (the video contains some scenes from it). Vivian becomes a kind of "female Mephistopheles", inciting everybody to "sell her their souls ". By mid 1996, people were bewitched by the magical appearance of the charismatic vocalist on the TV screens. The simple shooting of "Going ..." shows Vivian singing in a very diabolic and captivating way, in two different stages, alternated with small extracts of horror movies. Because of religious matters of the country, her video was censored and the final scene was cut out. In such scene, Vivian appears crucified by only one of her arms, and with the other hand she waves her cape with a defiant and disturbing look, full of threads of her own blood. This video defined Vivian's image as a satanic icon, given that it showed inverted crosses and demonic symbols. Since then, her career as a local pioneer in the genre was turned around completely. All people, including those outside that musical style, began to focus on Vivian, to the point of receiving her first invitation to participate in a television program before any deal with a recording company. Things were more than clear; Vivian BlackÂ’s true vocation was to become a horror film actress, which exceeded her interest in composing music. However, she was an excellent interpreter in her live shows, attracting more and more the interest of the metal urban tribes. Having three videos, and a couple of new songs recently recorded in a much more professional way than the previous ones -with better sound quality-, Vivian, in 1997, decided to make her supreme work; "Hellrising Crown", with a very catchy and commercial melody. It was televised, not only in the local channels, but also in MTV Latin America. The argument of "Hellrising Crown" was inspired by the interpretations of King Diamond, singer and vocalist of "Mercyfull Fate". The video starts with Vivian walking down a forest dressed in her classic style, with a black cap and the torch she exhibited in her shows. The devil, with his spectral presence, appears before her through the shadows among the vegetation and he slowly slides towards her in a supernatural way. Satan takes her in his arms, and kisses her with infernal passion. ThatÂ’s how "Hellrising..." begins, barely at the guitars intro... obviously, the rest of the clip would be stronger than its beginning... Vivian becomes the "Queen of the underworld". To achieve this, she has to perform some satanic rituals, in the middle of a lot of allegorical symbols of worship of the devil. Her goal is to pass an examination of admission for her descend to hell. In fact, the last test is the most sublime of all: "a human sacrifice" (as showed in the video, in the best Hollywood style). Having passed, Vivian gets the best diabolical gift: "Being the mother of the son of Satan", and, like Rosemary, towards the end of the video clip, she appears with the baby in her arms, like a sweet mother, with Satan standing behind her. Like a mini-horror film, in five minutes, Vivian began to make her most precious dream come true, the one she longer for since her childhood (in her own way, of course); being an actress in an horror movie at international level. She achieved to transcend the frontiers of her country thanks to MTV channel, just like her favourite movie and TV actors. She was able to achieve her objectives, partly thanks to her skills, her wit, her strength, and her great transgressor personality. After some months, she made her last video, based on another of her songs, called "Devil or Angel", with basically the same performance as her previous one; it did not cause the same impact as "Hellrising...", but her "Witch of metal" image had been established worldwide as an icon of Satanism from Latin America, represented by a charismatic sorceress of darkness. In less than thirty minutes of video clips, displaying her very professional versatility, Vivian was able to stand out as an actress. She gave her characters "such a life", accomplishing something almost impossible: making the limits between reality and fiction forever inseparable. In terms of Vivian Black, even today (Which I think that was exactly her idea), nobody knows who she really is; if she is a "Devil or Angel", as it says in one of her songs.
